Together Live At Sweet Basil Vol.2
Jean-Michel Pilc Trio
Jean-Michel Pilc Trio
Piano – Jean-Michel Pilc
Bass – François Moutin
Drums – Ari Hoenig
Released: April 3, 2001
Label: A-Records
A&R, Coordinator [Production] – Angelo Verploegen
Design – Dolphin Design
Mixed By, Mastered By – Chris Weeda
Photography By – Joost Leijen
Recorded By – David Baker
Recorded at Sweet Basil, New York City on April 24, 1999 (there is a misprint on the back cover displaying instead 2000). Mixed and mastered at Studio LeRoy, Amsterdam on October 22-25, 1999.
Tracks 4 and 6 published by Challenge Music Publishing/Polygram
Track 8 published by Editions Jean-Marie Salhani
“Been listening to tapes of the pianist’s recent live dates, and they’re killing…He’s one of our top young piano voices…Listen to what the pianist does to the opening of Bessie’s Blues on volume two of Live at Sweet Basil. Refraction, substraction, big action. Pilc’s bands are becoming synonymous with interplay. And the leader’s a quick-change artist – that cluster in the air is now a single note, decaying quite regally donchaknow.” ~ Jim Macnie, Village Voice
Volume two of Jean-Michel Pilc’s live Sweet Basil series delivers another powerful dose of unbridled invention. This pianist knows how to probe the guts of the standard tunes, whether they’re oldies like “Honeysuckle Rose” and “Tea for Two” or more modern staples like “My Funny Valentine” and “All Blues.” With the dependably virtuosic assistance of bassist Fran‡ois Moutin and drummer Ari Hoenig, Pilc puts his august creative signature on everything he plays, often guiding his colleagues toward torrential climaxes of harmonic and rhythmic discovery. Put simply, this is one of the most exciting trios working. And Pilc can write, too. The originals this time include the off-kilter Latin “262” (not to be confused with Coltrane’s “26-2”), the bracing set-closer “Together” (which includes an extended reference to Charlie Parker’s “The Hymn”), and a solo piano miniature called “My K”ln Concert” (a nod to Keith Jarrett’s famous 1975 recording). Pilc’s fast treatment of “All Blues” presages what he would do later on his Welcome Home album with “So What,” another masterpiece from Kind of Blue. ~ David R. Adler