Piano – Jean-Michel Pilc
Soprano Saxophone, Producer – Sam Newsome
These performances are all first takes without any preplanned song list, tracks 5 & 7 are duo improvisations.
Artwork – (Suite 303)*
Mastered By – Benjamin Joubert
Photography By – Thomas Dorn
Piano – Jean-Michel Pilc
Producer – Francis Dreyfus
Producer, Mixed By – Hélène Texier
Producer, Mixed By, Mastered By – René Ameline
Recorded and mixed at Studio Ferber (Paris) on December 2 & 3, 2003.
Released: September 7, 2004
Label: Dreyfus Jazz
Jean-Michel Pilc is a trip. No jazz pianist today offers anything like his melange of monster chops, wildly impulsive imagination, addiction to bombastic melodrama and shameless love of showing off. Pilc is best known for his work with a trio featuring bassist Francois Moutin and drummer Ari Hoenig, as heard on 2002’s Welcome Home (Dreyfus). This band has been mentioned alongside Brad Mehldau, Jason Moran and the Bad Plus as artists who are rejuvenating the piano trio.
Follow Me is Pilc’s first solo recording, and freed from the minimal constraints imposed by his trio colleagues, he opens the floodgates. The pieces that best demonstrate the originality of his mind, and the technique to make that originality articulate, are those surrounded by long-established jazz precedent and tradition: “My Favorite Things” and “Autumn Leaves.” Pilc’s daring reharmonizations and hard right turns in dynamics and rhythm dismantle each song in order to rethink and rebuild it. The mood swings within “My Favorite Things,” from violent left-hand crashes to the most delicate right-hand touches on the melody, are schizophrenic, but they are also a rush. In the space of 90 seconds, Pilc both beats the daylights out of “Oleo” and fondly caresses it.
Pilc has made a statement about his creative process that is revealing: “When I’m sitting at the piano and I start playing, I try to be like a five-year-old child discovering a toy and learning to have fun with it.” Pilc’s music sounds exactly like that. In its hyperactive spontaneity, indulgence and self-consciousness it sounds like the output of an extravagantly gifted and rather naughty child. Therein lies its appeal, and also its burden. ~ By Thomas Conrad April 25, 2019 JazzTimes
“While never dry or abstract, Pilc is a model for playing a little to say a lot.”
Mark Keresman, Jazziz
“‘Follow Me’ stands a major summation of Pilc’s keyboard art, which has no counterparts. Pilc ranks among today’s titans of the instrument… there’s more to his art than the speed, precision and power of his 10 phenomenal fingers.”
Howard Reich, Chicago Tribune
(2004 10 best jazz CDs)
“New facets within it reveal themselves with each hearing. Highly recommended.”
Ken Dryden, All Music Guide